艾拉是一个被宠坏的富有的女孩，失去父亲后遭受打击，失去了记忆。由于没有人认领她，她到达了埃尔博斯克避难所。在那里，她遇到了 Inés 和 The Mirrors 舞蹈团。她还发现了一种令人惊讶的能力：通过音乐视觉聆听他人的感受。

After turning away from her Turkish family, young Ayla works as a kindergarten teacher and enjoys the liberties of being single. When she meet photographer Ayhan, she ignores all qualms and falls head over heels in love with him. Then Hatice, the mother of one of the kindergarten kids, is desperately seeking Ayla′s help: Hatice is living in fear since she has decided to divorce her husband, thereby enraging her strict Muslim family. Ayla takes her and the kid in, only later realizing that Ayhan is one of Hatice′s brothers.

Tsukamoto's film offers the spectator a sophisticated, psychological adventure through the dreams and mirrors of Sara, as she deals with her both happy and feared ghosts. - Dr. Ger Zielinski

Too often in love, people are not straight shooters. Enough of the time people don't simply lay their cards on the table and let the other make an educated decision. With no 'carfax' you are left to take people based on what's in front of you but that's not always their real selves. It's an optical illusion. 'Smoke and Mirrors' centers around the life of newly single, filmmaker Sonny Richard, who must reacclimate himself to the complexities of male and female relationships, just when he thought he had it all figured out.

亚伦、金伯利和马尔科姆从七岁起就一起长大。亚伦和金姆结了婚，而马尔科姆一直是他们的好朋友，直到他被CMS写作公司解雇。此后，马尔科姆对亚伦的生活愈发嫉妒，因为亚伦有着成功的写作事业，还有一位美丽的妻子。马尔科姆背着亚伦，在镜子前强奸了金姆——但镜子……

这是一部 1969 年的实验电影。影片开场，一个身着白色衣物的身影沿着螺旋楼梯和自动扶梯向上攀登，接着背对着镜头，朝着无尽的隧道和走廊深处走去。一名身着黑色紧身衣的模特被涂成白色，摇身一变成为了一件艺术作品。另一名模特则被拍摄到登上屋顶，随后在房间的角落里对着镜子审视自己，仿佛爱丽丝穿越了那面镜子一般……

Maraya is a well known satiric multi-season Syrian television series, created by the comedian Yasser al-Azmeh.

The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.

Set in a near-dystopic future, where everything from, artificial intelligences, megacorporations, hackers and cybernetic robots know as Mirrors use technology in ways never anticipated by its creators.

An aspiring Midwestern ballerina (Marguerite Hickey) struggles in New York as the only jobs she can get are as chorus performers. Her personal life is equally dismal.